sustainable fashion

Behind the Seams: Weaving Circularity into the Fashion Industry through RFID threads by Nina Gbor

RFID threads, Alison Jose, Eco Styles Nina Gbor 1

Image source: Global Circular Network 

Only 1% of clothing is recycled into new garments per year—a shockingly low figure given the fashion industry's bold sustainability promises. This leads to over 300,000 tonnes of clothing being sent to landfill or exported from Australia every year. Even more troubling is that 86% of fashion brands still lack clear, measurable targets to phase out coal, while 95% of major fashion companies remain silent on the types of fuel powering their supply chains

This lack of transparency is not necessarily deliberate deception, as current legislation, particularly in Australia, does not require disclosure of such information. However, it highlights a critical gap in accountability, especially when compared to the European Union’s progressive legislative frameworks, such as the Eco-design for Sustainable Products Regulation (ESPR), which mandates that brands take responsibility for emissions across their manufacturing and transportation processes.

Instead of addressing these issues, the Australian government is giving Seamless Industry Awards, which, when compared to the ESPR, highlight a failure to implement meaningful change. Seamless must also require brands to set targets and deadlines to mitigate emissions from manufacturing and transport, as well as offset through sequestration. These are crucial questions, given that emissions from these areas, along with manufacturing and transport, are the two biggest hotspots for pollution. Without enforcing such measures, the Minister for the Environment will struggle to meet government targets. This situation shows that real change is urgently needed to stop the fashion industry from continually exploiting the planet unchecked. But how can we achieve this?

Alison Jose, founder and CEO of the Global Circular Network, believes that the future of transparency in fashion hinges on brands pivoting to circular economy business models using smart tools to connect all stakeholders. 

The one tool that can achieve this is the world's first washable RFID that’s housed in a single thread. This cutting-edge technology integrates a single 15 centimetre thin metallic thread embedded with a chip into garments during the labelling process, or slipped into quality recovered products to also engage the second hand and rental markets now. Washable, discreet, and flexible, RFiD THREADS® are connected to a cloud app to hold vital information about material specifications and can be updated in real-time. 

They are washable - up to 200 degrees and this includes carpets. The RFiD THREADS® is a digital passport that stays with products throughout their entire lifecycle to gather comprehensive circular product data in real-time. Using long-lasting DPPs means we can collect unprecedented full circular product data which is the key to creating financially sustainable local and global circular economies.

Their main function is to connect businesses to enhance the identification, sorting, and categorisation of both desirable and undesirable products, facilitating product life extension and reuse all before recycling simply by reading one or bulk products simultaneously with RFiD handheld or fixed system readers. With RFiD THREADS®, the fashion industry will finally have a smart tool to unlock a fully interconnected circular economy at scale.

To delve deeper into this promising solution, insights from a recent interview with Alison Jose reveal how RFiD Threads can not only transform the fashion industry but also address the pressing challenges of transparency and sustainability. We spoke with her and captured her thoughts on the potential of RFiD Threads to reshape the industry’s future while highlighting the hurdles that may lie ahead.

Daphne: “What sparked your passion for making a difference in the fashion industry?”

Alison: “I came to the circular economy from being a sustainable textile wholesaler, manufacturer, and developer working with mills in India, Indonesia, and China. In 2020, I developed CircStretch, a new bio-stretch textile aimed at reducing plastic in performance stretch garments like activewear using specialty yarns from Lenzing Group and Asahi Kasei, who developed the world’s first Cradle to Cradle Gold Standard elastane. 

Once I understood the complexity of textile fibers and the production limitations at the beginning of the supply chain, I shifted my focus to how we can recover these resources and support what's called the reverse logistics value chain to make products more circular. I also recognized the need for shared responsibility across the entire fashion waste ecosystem, rather than placing the burden solely on the resource recovery sector to solve the ‘waste’ crisis. Additionally, we need to actively integrate the incredible reuse creative sector, which is at the heart of circularity.

Additionally, my background as an art curator and PR consultant has always influenced my approach to sustainability. When people ask how we can transition to more sustainable textiles, my answer is simple: through beauty. By harnessing creativity and aesthetic appeal, we can engage consumers emotionally, helping to shift them away from the take-make-waste model and towards more conscious choices. Combining smart technology with creativity, human-centered design, and strong regulations can make sustainable options both attractive and accessible. This approach encourages consumers to make informed and easy choices that are better for the planet.

It is especially important to connect people with local communities to create jobs and boost local economies, while also making it easy for them to experience that 'warm, gooey feeling' that helps change habits of overconsumption, wish-cycling, or simply throwing things away. By providing easier access to circular options and educating people on how to use the planet's resources wisely—from transport to textiles—and incorporating reward systems, we can unlock significant opportunities to redirect the revenue that currently ends up in landfills."

Daphne: “Can you share the origin story behind the idea of establishing the Global Circular Network and using RFiD technology along with QR codes?”

Alison: "In 2020, I received a grant from the NSW EPA to create Australia’s first Circular Textile Waste Service, and I began collaborating with a disability enterprise to sort and dismantle textile waste. During this sorting process, I realized that almost 99% of the products were untraceable, highlighting the urgent need to reconnect them with their originators to encourage their engagement. Additionally, at least 80% of the textiles were technically unidentifiable. Currently, the responsibility for managing fashion waste primarily falls on local councils and recyclers, which isn’t fair. Both brands and consumers must share this responsibility. To address this issue, I reached out to a colleague at Deakin University, who connected me with Dr. Anura Rathnayake, an expert in RFiD thread technology. Our collaboration began in 2022, and I have since built the cloud app and circular solution from there.

Daphne: “What specific information can this thread store and transmit?”

Alison: “The threads themselves do not store data; instead, they are connected to a cloud app that allows us to store infinite product data and delete this data when the product is recycled, helping to prevent unnecessary data storage and energy waste.

By integrating RFiD THREADS® into garments, businesses can effectively communicate and report on their circular design strategies, especially regarding material types and traceability. For instance, current recycling technologies face significant challenges with blended materials. It is crucial for recyclers to know which chemicals were used during textile manufacturing. Activewear and uniforms often contain 'forever chemicals,' which can complicate recycling. By identifying and diverting these harmful substances during the sorting stage, we can support a cleaner recycling process, improve product safety, and tackle the issue at scale.

Embedding an RFID thread from the outset simplifies the recycling process, allowing recyclers to efficiently identify, recycle, remanufacture, or repurpose materials, ultimately creating safer feedstocks. Additionally, it employs smart technology to engage and support the R-cyclers, who are vital for extending a product's life through repair, resale, rental, redesign, and remaking. This approach puts the “economy into circularity," keeping products in circulation longer before recycling and redirecting valuable resources to the second creative heart of circularity.”

Daphne: “What are the biggest challenges that the Global Circular Network is facing, and how are you planning to overcome them?”

Alison: “Well the answer to both questions is: collaboration; it's the biggest challenge and it's the solution. Thankfully, the EU Commission is stepping up, leading the global shift toward a circular economy with groundbreaking legislation. Through Cirpass-2, the commission has mandated the use of Digital Product Passports (DPPs) to enforce the Ecodesign for Sustainable Products Regulation (ESPR). This will guide all industry stakeholders toward circularity and it’s profoundly exciting to be part of the teams who are driving circularity through collaboration and inclusivity but understand that smart tech and regulations are the only way to pivot this industry and reduce emissions at-scale.

Yes, the scope of this transition is vast and daunting, but it also presents an extraordinary opportunity for positive change. This shift has the potential to impact local and global supply chains, encouraging brands to work more closely with their suppliers but also employ EPR strategies and engage with the resource recovery sector. With this collaboration and direction, brands can opt for better materials, increase revenue, uphold the Modern Slavery Act, pay Living Wages, and leverage real-world data to identify environmental hotspots, creating a more immediate and meaningful impact that is reportable.

A critical part is that our RFID thread technology can withstand wear and tear, enable unprecedented data collection for Life Cycle Assessments (LCA) plus instant unfakeable product authentication which is an enormous bonus to customers, brands and resellers. Combined with a connected QR code and/or NFC ring, brands can use this technology not just to track the product’s journey but to reveal their circular journey to customers, fostering brand loyalty and consumer education.

Consumers today are hungry for information on how and where to repair, resell, rent, or donate products. Brands have the opportunity to connect customers with local networks, encouraging them to donate, swap, or connect with creative redesigners who upcycle items. This extends the product's life and builds emotional attachment to possessions, while guiding consumers to proper recycling options, reducing the issue of “wishcycling”  that ultimately goes to landfill or simply throwing things away.

By supporting their customers, brands can increase profits and redirect resources. Our washable RFID DPPs can also turn “resource recovery” businesses into network partners, as each scan provides verifiable data on a product’s circular journey. This data will assist in compliance reporting and potentially reduce taxes or levies for proving circularity.

The EU’s crackdown on greenwashing and offshore dumping is another significant step forward. For R-cycler stakeholders, this legislation opens doors for using RFID readers to access our open-source app for free which in turn offers brands solutions that help capture their required circularity data. All businesses can unlock untapped revenue currently being lost to landfills in addition to brands meeting their reporting requirements.

In September the USA state of California passed legislation on a Responsible Textile Recovery Act, also known as SB 707, requiring manufacturers and distributors to participate in an extended producer responsibility (EPR) program for apparel and certain textile products. The hope is that EPR legislation will spread to other countries including Australia as we know that government intervention is the only way to push brands toward implementing full circularity required to meet our local and global environmental targets. 

While we need to start with "circular-ish" efforts, the goal must be a faster transition to a fully circular economy, where brands adopt circular business models plus include a financial shared responsibility alongside a socioeconomic lens such as the Doughnut Economics framework. Simple measures like using second-hand or recycled textiles or offering take-backs and repairs are a basic start but full systems need to be integrated at scale as they aren’t enough to meet our collaborative environmental goals.

Unfortunately, Australia has yet to take regulatory action. The Ellen MacArthur Foundation has warned against diluted versions of circular economy models that won’t deliver the needed results. After years of trying, I’ve received no feedback from Australian industry or government, and brands are unlikely to be able to pivot to full circularity voluntarily. 

The industry won’t change without government regulations as they help determine best-case metrics and Standards, utilise bulk manufacturing initiatives to lower costs and increase equitable participation, plus to avoid the imbalance that is straining the resource recovery sector trying to ‘solve the waste problem’ on behalf of brands and consumers but without their participation. 

The Global Circular Network helps create shared responsibility. After all, we all wear clothes, and their negative environmental impact affects us all. As a member of several Cirpass-2 Expert Working Groups under the EU Commission, I’ve seen the incredible support for micro-businesses and Small to Medium Enterprises (SMEs) which is why we’ve also launched the 100 MILLION THREADS PROJECT. 

Collaboration and regulation are essential to create inclusive, equitable solutions and ensure all businesses transition to circularity in time to meet climate targets.

While QR codes and NFC rings are useful for customer engagement they aren’t full digital passports and won’t solve business-to-business communication and data needs at scale. QR codes and NFC are more like smart swing tags but they also raise concerns about personal data collection which is why we’ve separated them to use RFiD THREADS® to only capture product data through a commercial reader, without involving consumer information.

By adopting these tools, brands can foster greater transparency, which today’s consumers increasingly demand. And by mimicking the strategies of fast fashion—leveraging smart tech and social media—brands can build a more circular industry. This approach offers consumers an eco-friendly “dopamine hit” while advancing holistic goals to reduce landfill, emissions, and pollution, creating a cleaner plus fairer, more supportive industry for all.

Daphne: “What is your long-term vision for the Global Circular Network?”

Alison: "My long-term vision aligns with our short-term goal: to engage as many stakeholders in the circular economy as possible and to connect them all. 

Offering equitable accessibility is crucial for SMEs in the EU, where 99.8% of fashion brands fall into this category. It’s been said that approximately 40% of these businesses may struggle to add DPPs and meet ESPR compliance requirements. 

By launching the 100 MILLION THREADS PROJECT, we aim to include SMEs, Not for Profit Enterprises, charities etc and offer them an efficient DPP at the same equitable price as the big brands who can access via low-cost bulk manufacturing orders.

We want to add RFiD THREADS® into 100 million pieces of clothing. Just imagine if we added 100 million threads to both new and recovered jeans, we then take immediate action to stop emissions being added to the environment the equivalent of 300,000 cars or 2 million hours of domestic flights, 5 million refrigerators, or 70 million smartphones. This is just a start as there's some 15.3 billion pairs of jeans causing emissions as they rot in landfill globally each year.

A key focus is ensuring equitable access for SMEs, especially in the EU, where 99.8% of fashion brands fall under this category. It's estimated that around 40% of these businesses could face challenges in implementing DPPs and meeting the compliance standards to be outlined in the ESPR.

To address this, the 100 MILLION THREADS PROJECT aims to include not only SMEs but also nonprofits, charities, and other organisations. Our goal is to provide them with an affordable DPP solution, on par with what larger brands can access through low-cost bulk manufacturing.

The plan is to manufacture 100 million RFiD THREADS® to add to 100 million pieces of clothing. Now imagine the impact if we added these threads to both new and recovered denim jeans: we could prevent emissions equivalent to 300,000 cars, 2 million hours of domestic flights, 5 million refrigerators, or 70 million smartphones. And that’s just the beginning because we’ve not even calculated their EPR—each year, 15.3 billion pairs of jeans rot in landfills, contributing significantly to global emissions.

Any sized brand can join by pre-ordering via an Expression of Interest and jump onto a bulk manufacturing order to purchase affordable, efficient DPPs at the same low bulk buying price as the big brands. 

We need to support these businesses so that we don’t forever change the landscape into one that’s dominated by fast fashion and large global brands. SMEs are the backbone of our society; they are where creativity flourishes, which is at the core of why I started this project. By supporting these smaller businesses, we can ensure that innovation and creativity helps to drive a circular economy."

Daphne: “What message would you like to share with young people and sustainability advocates?”

Alison:  “My message to young eco-entrepreneurs striving to pivot to circularity is to stay connected to your purpose. For me, that purpose centers around the environment and ensuring a better future for my son and the generations to come. It breaks my heart to see the urgency of our climate crisis and realize that we can't afford to wait as the 2030 targets are now obsolete.

Also to learn more about the people who are connected to both your supply chain and the resource recovery providers. This is where the gold is, the storytelling that connects us all, seeing the differences and the similarities but especially the gifted ‘makers’ who create, decommission and then recreate our products and materials.

Together, we can transform this industry into one that prioritises the planet and future generations."

Daphne: “Is there anything you believe every fashion consumer should be aware of when purchasing clothing?”

Alison: “Manufacturing and transport are the two biggest contributors to emissions in an industry ranked among the top three driving the climate crisis.

By learning more, every fashion consumer can consider the full impact of their purchasing decisions and acknowledge the true cost of producing their clothes and our role in over consumption. Just recently, the Australian Institute reported that Australia has the highest fashion consumption rate in the world, which is alarming. On the same day, temperatures soared to 52.2 degrees in Delhi, where one of my recyclers operates. There, women wearing saris made with 5 metres of plastic polyester sit amidst piles of wool garmentsunder metal roofs without air conditioning in that heat, as they decommission our discarded clothes for recycling.

It’s the people in the Global South who bear the brunt of our waste crisis, and it's crucial that we engage them as active participants in a circular economy. With RFiD THREADS® this is now possible and easy. 

Daphne: “What are some real-world impacts we can see by using RFiD THREADS®?”

Alison: “I’m excited to divert funds from the 100 Million Thread Project, which aims to make a significant difference in these communities. Funds will go towards renewable energy solutions aligned with Project Drawdown’s Distributed Solar Photovoltaics energy initiative, benefiting both garment production factories and decommissioning businesses in the Global South. 

Our goal is to support factories that lack the financial resources to transition to renewable energy, improving working conditions while providing brands with a dual advantage. Not only will this reduce energy consumption in key production areas, but it will also enhance their ESPR reporting by addressing critical energy hotspots.

We can also use our data to build LLM AI to determine the best-case choices based on geography plus which materials and solutions to choose to help brands shift faster to better solutions based on real-world LCA metrics.

Brands can choose to connect their Supply Chain Management and LCA software platforms with ours via a “digital bridge”. Connectivity to SCM is disconnected at Point-of-Sale or by request and is then open-source to be all-inclusive and offered for free to the resource recovery sector.

SCM connectivity automatically solves one of the industries biggest waste problems; returns. Implementing RFiD THREADS® means returns can be bulk scanned and put ‘back onto the shelves” instantly to fix the enormous problems caused by manual re-entry leading to out-dated clothing being dumped. Many brands build these financial losses into their linear models so this loss of revenue is now an easy fix . 

The concept of shared responsibility extends to encouraging brands to help consumers take accountability for their choices. By educating customers that even the transport involved in online shopping returns carries a “cost” to the planet, we can foster a deeper awareness. Encouraging consumers to pay a small fee to ‘draw down’ the associated emissions will lead to meaningful habit changes and phenomenal sequestration opportunities as awareness grows.

These small financial contributions add up, helping to infuse the ‘economy’ into circularity. Brands stand to benefit by increasing profits, offsetting eco-related expenses, and supporting essential waste management efforts, as well as driving advancements in textile technology. This approach helps brands, consumers and the resource recovery sector to collaborate in creating a more circular future.”


Article by Daphne Vryghem is passionate about the circular economy and dedicated to advancing innovative strategies for sustainable environmental preservation. 




















How to reduce your fashion waste and environmental impact by Nina Gbor

Eco Styles Talisa Sharma Circular Fashion 1

Photo by Tamara Bellis

Over recent years the fashion industry has changed drastically; fast-fashion is now leading the growth in clothing consumption with clothing production doubling between 2000 and 2015 whilst the lifetime of the garments is decreasing. Mass produced clothing focusing on fast inventory turnarounds to capture everchanging trends. Let’s talk about figuring out the carbon footprint of your clothing consumption and a few tips for lowering it.  

The circular economy model stems from the idea of keeping resources in a loop to optimise their use and value. The clothing industry is globally one of the most dominant industries and highest value industries due to its product value, employment and market size, and it has doubled in production size in the last two decades. Each year, 150 billion fashion items are produced globally, making the textile sector a considerable polluter with a detrimentally significant carbon footprint that many consumers are unaware of. The carbon footprint of the clothing industry is something that must not be ignored and with the increase in fashion overproduction and overconsumption, it’s necessary to stay informed on ways to curate a sustainable wardrobe that can also be very stylish. Something as simple as "extending the life of clothes by an extra nine months of active use would reduce carbon, water, and waste footprints by around 20-30% each".

What makes up the clothing carbon footprint?

Eco Styles Talisa Sharma fashion carbon footprint 1

Photo by George Evans

Extraction and manufacturing 

The most significant contributor to the clothing carbon footprint is from the production of clothing fibres, their production requires a substantial amount of water, energy, fertilisers, and land use. As well as this, there is the manufacturing process; consisting of the weaving, dyeing, cutting, and sewing which all use large amounts of energy, chemicals, and also the disposal of the fabric offcuts. With many companies having a global presence and reach, another significant contributor is transportation - the raw materials and the final clothing products often travel extensive distances all around the world. Packaging of the products also contributes to the industry's carbon emissions. 

Consumption impacts

Once the consumer has received their items there is then the energy usage of washing, drying and ironing the clothes. Lastly, when people eventually dispose of the clothing that they no longer want, around 87% globally, goes into landfills despite the clothing still having 70% of its useful life left. Clothing made from synthetics such as Polyester “accumulate in landfills because conventional PET is non biodegradable” which can release harmful additives and microfibres which pollute the land, water and air.

Calculating your carbon footprint 

This might seem daunting but there are many ways you can mitigate your impact and reduce your clothing footprint. To make a start there are many online resources that you can use to calculate your clothing carbon footprint, I would recommend Thredup. It asks you various questions about your clothing consumption and habits and then provides you with tailored suggestions on ways you can reduce your fashion footprint. 

What else can you do?  

  • Upcycle your clothes - this includes repurposing clothes such as transforming unwanted clothes into something else and clothes customisation. 

  • Support circular fashion - utilise brands that offer schemes where they accept old clothes back and buy second hand items to keep existing clothes in circulation. Ensure that brands with take back schemes are reusing or recycling the clothing in the right ways and not burning them or sending the clothes to landfill. 

  • Donate or sell your unwanted clothes - donating and selling your clothes gives them a second life and reduces the demand for brand new items.

  • Buy less clothes - when you are wanting to buy a new item question how much you need this or how often you will wear it.

  • Trade clothes - swap clothes with friends and family and host and attend clothes swaps. Clothes Swap & Style have free monthly clothes swap events in Sydney, Australia. You can get free tips from them on how to host your own clothes swap.

  • Repair your clothes - rather than replacing damaged clothes with minor problems, you can repair them, this extends the life of your garments.

  • Rent or borrow clothes - instead of buying new clothes for one off special events you can rent them, it is a fraction of the cost and helps optimise the usage of an item of clothing.

  • Educate yourself and others - share your knowledge with friends and family and stay connected with developments in circular fashion. Support sustainable brands - when you need new clothing, support the companies that prioritise sustainability and are making clothes designed for long term wear. You can know if a brand is not greenwashing when they are not transparent about how many garments they manufacture each year and refuse to disclose their information about their supply chain. 

  • Avoid fast fashion - Instead you could try shopping for preloved clothing. Fast fashion produces clothing at artificially low costs using unsustainable factors such as modern slavery, planned obsolescence and poor-quality materials. Their low quality encourages short-term wear. These clothing items have also been proven to have toxic chemicals such as pesticides and flame retardants in the manufacturing process which can seriously impact your health as prolonged contact with the skin can absorb the chemicals into your body.

  • Restyle your clothes - this is using your creativity to wear one item of clothing in a variety of different ways through layering and accessorising, for different types of occasions which is demonstrated in this article.

Eco Styles Restyling Circular fashion Talisa Sharma 1

Photo by Tamara Bellis


Article by Talisa Sharma. Talisa has a passion for business and enjoys educating and promoting sustainability and carbon friendly initiatives.

The fashion TRENDmill explained by Nina Gbor

Nina Gbor wearing a secondhand ensemble with items from an op shop and consignment store acquired in 2017 and 2019. Image credit: Pepper Street Photography

I've been into sustainable fashion since I was 15 years old - wearing, promoting, styling and living the preloved lifestyle. This was long before sustainable fashion was a global movement and long before the term ‘sustainable fashion’ was a buzz word for nearly every brand and flocks of influencers. I abhorred fashion trends from a young age. I couldn’t understand why so many people clung tenaciously to a made-up reality where everyone is expected to wear the same trending styles of clothing until the dictators of fashion decided it was time to decree the next short-lived trend. This is fashion’s Jedi mind trick.

The fashion industry

In 2019, the size of the global apparel and footwear market was $1.9 trillion USD. It’s been projected to reach $3.3 trillion dollars by 2030. Several reasons exist as to why this industry is so lucrative. There’s the craftmanship, art, design, creativity, skills, beauty, artisanry and of course practicality that leads to the production of items that we love and find useful. In many instances, most or perhaps even all of these talents deserve to garner significant profits. But then there’s the dark side of the industry that has been inducing tremendous profits through atrocious practices. This side has been thriving on extreme capitalism with no concern for humans, animals nor the planet. The sole purpose is to amass huge profits at all costs. This is why we currently have 100 – 150 billion garments being manufactured each year, with only an estimated 8 billion humans to use them. It’s unsurprising that about 87% of items manufactured each year end up in landfill or incinerated.  

Where fashion trends went wrong

This unchecked, environmentally degrading side of fashion has been able to grow and thrive so expeditiously in part due to the use of fashion trends. For probably about a century, following fashion trends was a significant part of social culture and clothing. It was portrayed in different forms. Fashion collections produced by brands have traditionally been designed and manufactured based on the four western weather seasons of Spring, Summer, Fall and Winter. The trends generally adhered to this as well. Fast fashion hijacked and exacerbated the idea of trends and took it from about 4 trend cycle collections a year, to about 110 trend and microtrend collections a year. Naturally the time from one trend to the next decreased in the process. This is one of the factors that lead to over 100 billion garments being manufactured each year. Not to mention the tsunami of environmental and social justice issues from this overproduction and overconsumption.

Fashion’s environmental and social injustice issues

For too many decades, the grody side of the fashion industry has been using clever big-budget advertising, marketing, influencers and celebrities, to successfully manipulate people into feeling that they’re not enough unless they’re wearing the latest fashion trends. They’ve been able to control this aspect of social culture and use it to catapult their profits by somehow coercing many people to consistently buy apparel they don’t need. This is all in the name of aspiring to fit into this warped system that requires allegiance to whatever is trending in the moment.

With more trends being put out each year, planned obsolescence by clothing brands has become rampant. This means clothes are being designed for limited use with shorter life spans so that consumers are forced or encouraged to repeat purchases because the initially purchased items are not durable. The garments made by many fashion brands are increasingly being made from cheaper, poorer quality materials such as polyester. When something is damaged, it’s often less costly to buy a new one than to repair it. Products made in this manner very often end up in landfill in relatively short periods of time. In other words, these clothes are made to be disposable. This is the take-make-waste system that exists in fashion and several other industries.

The cost of the trends

The environmental damage from this excessive oversupply occurs at scale through deforestation, ocean and freshwater pollution, destruction of ecosystems and animal habitats, desertification, toxic chemical loading in soil and water bodies, etc. UN Climate Change states that annually, 1.2 billion tonnes of greenhouse gases are emitted from textiles production. By some calculations, sector emissions are projected to increase by more than 60% by 2030. In addition to that, there’s the devastating problem of modern slavery where garment workers are exploited, abused and drastically underpaid so that brands can make extreme profits. According to the 2022 Ethical Fashion Report conducted by The World Baptist Aid, 60 million people work in the global fashion industry. To give context to the general nature of social injustice and inequality in the industry, only 10% of companies surveyed in the report could show evidence of paying liveable wages to garment workers.

The personal style con

In the last few years, mainstream fashion began to drop the habit and promotion of following fashion trends. Embracing one’s own personal style became the thing to do. At the outset this shift appeared very positive for the environment and consumers alike. However, it didn't take long for fast fashion to find a way to also capitalise on the personal style wave by getting people to 'find or express their personal style' through constantly buying lots of fast fashion.

The shocking and sad truth is that following fashion trends never stopped. It simply changed form. OVERCONSUMPTION HAS BECOME THE LONGSTANDING TREND. In fact, overconsumption is our modern cultural trend. We’re consuming 400% more clothing than we did 20 years ago, while the length of time we use the garments has fallen by almost 40%. It’s no longer only about buying trends and microtrends to fit in with everyone else and the culture. Now the normal thing is to just buy stuff period because it’s easy, cheap or convenient to do so, then throw it away when you’re bored with it. And then buy other brand new stuff again and repeat the cycle. Fast fashion has made clothes more affordable than ever before.

The fashion TRENDmill explained

The fashion TRENDmill (or fashion treadmill) is a phrase I came up with in 2016 to describe this modern culture of mindless overproduction and overconsumption of clothing that has become too common and normalised in our world. With these factors being the trend, this conveyor belt system is fuelled by the continuous take-make-waste linear cycle on steroids.   

We take (extract raw materials or virgin resources from the environment at enormous rates far beyond what we need). Then make (manufacture far more garments than is necessary or will be used). Followed by waste (majority of clothes end up in landfill relatively quickly). Disposability of clothes is embedded and expected in this cycle either through the culture of it or through planned obsolescence. There’s little or no consideration for reusing or prolonging the life of the textiles or the damage the TRENDmill system inflicts on the planet and its inhabitants.  

The TRENDmill and general overconsumption

There’s a very strong throughline of the fashion trendmill concept with other waste streams such as food, furniture, electronics, automobiles, the built environment and hospitality.

We’re consuming more products than we ever have in human history. Nearly A$66 trillion worth of stuff is being purchased every year globally which is the equivalent of an estimated A$2 million per second. These purchases include the gamut of material stuff and possibly services. The world’s use of material resources has increased ten-fold since 1900 and is projected to double again by 2030. It’s been projected that the consumer class will reach 5 billion people by the year 2030, meaning 1.4 billion more people will have discretionary spending power which explains why consumption rates are expected to double unless we get off the TRENDmill.  

We’re consuming our way into our own extinction

With these enormous levels of manufacturing and consumption, environmental degradation is at an all time high. This comes with things like toxic chemical loading on soil and water and extreme plastics pollution. These and other factors have been known to have fatal impacts on human health. As production keeps increasing, it looks as if we’re consuming our way into our own extinction.

A drastic reduction of natural resource use is critical. We need cultures and systems based on environmental sustainability and circular economy principles. There are colossal opportunities for us to stop the rapid flow of materials to landfill and reuse or repurpose these materials instead. And in the process, only take what we need from the earth. It will make our lives healthier, save the lives of animal species, reduce biodiversity loss, give us cleaner water, a healthier planet amongst other benefits.

How to get off the fashion trendmill

We currently have enough clothing on the planet to cater for the next 6 generations of humans. From the start of my sustainable fashion career, I've always talked about ignoring trends in favour of finding and expressing your personal style for the long term through secondhand garments (and not fast fashion). Secondhand clothing includes contemporary styles and clothes from nearly every fashion era dating back almost a century. One of the coolest ways to curate a sustainable wardrobe is to mix and match styles from one or multiple fashion eras to create your own individual style. It’s likely that this one-of-a-kind wardrobe tailored to your preferences will have any or all of these outcomes:

 1. keeping your clothes for longer periods of time because you always look great even with very little effort

2. saving financial resources because you’re buying less brand new stuff

3. evolving to the best or desired version of yourself using secondhand clothes.

Getting off the fashion trendmill helps reduce clothing waste because in a sustainably curated wardrobe, the outfits suit your body, lifestyle and personality. With these aspects fulfilled, hopefully the temptation to consistently buy new clothes or fast fashion all the time can begin to fade or get eliminated altogether.

Getting off the trendmill on a systemic level

Ultimately, we need to implement circular economy principles into textiles and other industries. Things will shift when we change our relationship with clothing and the culture surrounding consumption of other material things. Here's how:

Reuse - restyle, repair, resell, repurpose, buy secondhand, redesign, swap, hire, rent, borrow, upcycle

Buy new from ethical & sustainable brands - (Not brands that greenwash). Patronise brands that are transparent about how many garments they manufacture, their entire supply chain and their manufacturing processes. Also buy from small, local and emerging designers

Advocate for system change - simply by living an authentic sustainable lifestyle when and where you’re able even if you don't proclaim it publicly. You can also gently and kindly nudge your immediate circles and communities into sustainable habits or run community events like clothes or other item swaps that inspire people to action. You can even push for policy and legislation change through your local and federal political representatives.

*Perhaps the most imperative option is for us to shift our focus away from filling our lives with material stuff and ascribing such extreme value to material things. Placing higher value on experiences and more positive developments could be the new and hopefully permanent wave.

How to host different types of clothes swaps for friends and communities by Nina Gbor

war on waste nina gbor clothes swap clothing exchange sustainable fashion 1

In this very strange era where clothes are cheaper than chips and perceived as disposable, it’s a real shame that so many amazing, reusable items end up in landfill. Globally, a little under a hundred billion garments end up in landfill each year. In Australia alone, that figure is over 200,000,000 kg a year.

If you’re someone who loves good style but hates fashion waste, clothes swapping might be the answer to ending this conveyor belt of waste to landfill.

 At a clothes swap, attendees bring their quality unwanted garments and accessories to swap with other people’s valued, quality items.

Why swaps are so much fun? Whether you’re swapping with a few friends at home, or with a big group of strangers bonding over your mutual love for style and waste reduction, you’ll likely walk away with a big smile on your face. Here’s why:

  • you meet lots of cool, like-minded people  

  • swaps reduce clothing waste to landfill by keeping clothes in circularity for longer

  • swaps reduce carbon emissions, energy and virgin resource use

  • they’re a free (or low cost) way to give your wardrobe a refresh and new look

  • an easy way for your community, organisation, friends or neighbourhood to fight waste.

 Need an additional reason? How about using the swap idea as an excuse for a party?!

 Here are ideas to help you get your swap game going:

Have a film screening

clothes swap food snacks refreshments 1

ABC TV’s environmental tv series War On Waste is an entertaining and informative docuseries that complements a swap perfectly. Have a few friends over at your place for a screening night with a clothes swap on the side. You can also screen other documentaries and films that fuel your passion for sustainable action. A clothes rack or table where people can hang or place their swap items is sufficient. Bonus points if there's drinks and food!  

Neighbourhood & community swap party

Now this is a real party. Organise a clothes swap in your neighbourhood with neighbours or community with members. It can literally be on the street (with required permits), in front of several houses or even a community hall. At these community swaps, new friendships are formed, communities are built and grow stronger. It brings people together and inspires conversations on ways that people in the local community can collectively take action such as swapping other household items to reduce waste, community gardening and composting for instance.

Food always makes events more exciting so you can also make it a barbeque or food potluck clothes swap! Some music and entertainment are options that work beautifully in these scenarios. If you need guidance on hosting a swap, you can find resources here to support you through the process.

All-day drop in clothes swap

These swaps are so convenient for people to drop in when it suits them. The swap can run for several hours or all day. It’s necessary to have some swap clothes ready ahead of time so that the first groups of swappers to arrive have more options of clothing to swap. You can put a call out for clothing donations beforehand that you’ll use on the day to get your swap started.

Be a swap supplier (for councils, organisations, schools and businesses)

The idea here is to be an organisation that enables your community in the war on fashion waste and supports a circular economy. If you’re a council, organisation or even a business with a hall, room or space, perhaps you can let individuals and community groups use the space for free for swap events. You can also provide clothes racks, hangers and mirrors to encourage and make it easier for people to run swap events on a regular basis, all year round perhaps.

General clothes swap event

This is where you host a general clothes swap that’s not designed for a specific community, group or neighbourhood so that anyone, from anywhere can join in the fun. You might promote and advertise your swap online and through other channels so that people can find out about it. This is a great way to convene with sustainability-loving fashionistas. It’s the kind of swap that can attract a few more trendy fashion pieces than your average swap. Here’s a free ‘how to host a clothes swap’ resources toolkit to make it easier to host your swaps.  

Themed swaps

Holiday events and occasions are often celebrated with disposable material stuff, food waste or excessive plastic that quickly becomes waste. In some cases, all of the above. It's time we shifted this environmentally-damaging waste culture by celebrating our occasions in more sustainable ways like swapping.

You can theme your swaps as birthday swaps, picnic swaps, Mother’s Day swaps, Earth Day swaps, Valentine’s Day swaps, swaps for larger sizes only, International Women’s Day swaps, swaps for clothing designed for men, swaps for bridal hens’ nights, swaps for formal wear, etc. Theme ideas are endless!

* If you’re hosting a non-commercial swap in Australia in August or September 2023, register your swap here. It will be uploaded to the ABC War On Fashion Waste page for people to know your swap is happening. If your swap is small, you can still register it because it will inspire others to join the swap revolution!

My love for vintage Japanese kimonos by Nina Gbor

Images by Elena Delaver

Pretty sure it was love at first sight when I chanced upon this 1950s vintage Japanese kimono while thrift shopping on a random Saturday afternoon in November 2019 at a secondhand market. I must admit, even as a lifelong secondhand clothing shopper with an extensive and eclectic wardrobe, I was entranced when I first saw this beautiful piece of wearable art. It nearly had me feeling somewhat unworthy.

I was also blown away by what I was learning about traditional Japanese kimono history and culture from Shona as she taught me how to wear it before selling it to me. My love for kimonos has grown stronger ever since!

This is a wedding kimono, called a kakeshita. Based on the embroidery style, it's likely from the 1950s and it's 100% silk. So rare, if not impossible to find 2 identical kimonos of this type.

I belted the kimono with a vintage, silk, gold sash I found in the bargain bin at a thrift store.

Photos by Elena Delaver

♥ Nina Gbor

Insta: @eco.styles